By Lauren G. Parker
The prosecution needed to represent Rachel Jeantel as much as they represented Trayvon Martin because her assumed unintelligence and subsequent worthlessness were inadvertently assigned to him. Aware of this, prosecution attorney Bernie de la Rionda attempted, but failed, to insist upon her credibility in his closing statements. Before queering a Dr. King quote by saying that she “should not be judged by the color of her personality but by the content of her testimony,” he told the jury that she was “a little unsophisticated” and “uneducated.”
By insulting her to gain credibility, he complied with the idea that she was insignificant and by default, so was Martin’s life. Such inherently assumed superiority over Jeantel from the prosecution’s closing statement, the defense’s humiliating tactics and venomous commentary from cyber voyeurs was deeply remnant of a passage from Toni Morrison’s The Bluest Eye in which Morrison stated:
All of us—all who knew her—felt so wholesome after we cleaned ourselves on her. We were so beautiful when we stood astride her ugliness. Her simplicity decorated us; her guilt sanctified us, her pain made us glow with health, her awkwardness made us think we had a sense of humor. Her inarticulateness made us believe we were eloquent. Her poverty kept us generous. Even her waking dreams we used—to silence our own nightmares. And she let us, and thereby deserved our contempt. We honed our egos on her, padded our characters with her frailty, and yawned in the fantasy of our strength.
Afraid to embrace those realities, many dwelled on their critiques of Jeantel’s dialect. Here, too, there was a deep politic that neither the talented-tenth, code-switching middle class Black folks who claimed to be ashamed by her nor those who maintained the racist ideology that she was merely another ignorant, fat black woman, could bear to acknowledge. James Baldwin’s 1979 essay, “If Black English Isn’t A Language, Then Tell Me, What is?” best presented this truth where he states,
…language is also a political instrument, means, and proof of power. It is the most vivid and crucial key to identify: It reveals the private identity, and connects one with, or divorces one from, the larger, public, or communal identity.
He further explains,
Language, also, far more dubiously, is meant to define the other–and, in this case, the other is refusing to be defined by a language that has never been able to recognize [them]. People evolve a language in order to describe and thus control their circumstances, or in order not to be submerged by a reality that they cannot articulate.
Just as many have never considered that Trayvon Martin, who we know for a fact was followed by George Zimmerman, was standing his own ground, many who shared Juror B-37’s condescending viewpoint and “felt bad” for Rachel who was “using phrases [they] never heard before” have not considered themselves ignorant for not understanding her. Those same individuals may never challenge the absurdity of having deemed themselves the standard of comparison; nor will they realize that they misnamed her “uneducated” in order to hide from the paralyzing fear of a heavy-set, dark skinned teenager unwilling to bow to their assumed superiority.
Rachel Jeantel cannot be reduced to just a witness in a popular trial because what she endured in court and from the media were private acts made public: the mocking and silencing of black women and girl’s stories as well as the devaluing of their traumas. In response to critics, Jeantel shared with Piers Morgan that “[My critics] should be appreciating [me]. You should learn from this situation. If it happened to you or your family, would you step up or would you just say ‘oh, it ain’t my business’?” To my mind, she has remained brilliant and strong in spite of the overwhelming grief of losing a friend and then being publicly labeled as ignorant–as a national embarrassment–because she, like James Baldwin, knows that “it is [never] the black child’s language that is in question, it is not [their] language that is despised: It is [their] experience.”
Lauren G. Parker is an undergraduate, intended Creative Writing major at George Mason University. Currently, she is co-coaching Richmond, Virginia’s internationally competing youth slam poetry team.